ANTHONY REYNOLDS – In A Café At The End Of The World

In A Café At The End Of The World is a digital three track EP release by ANTHONYMES (Anthony Reynolds and Ian M Hazeldine (Antonymes)

Written by Anthony Reynolds with additional text by Charlotte Greig.

Paul Morley writes in the press release – “Together, before it was too late, it was inevitable that there would be an intensely attentive meeting of minds and moods between Anthony Reynolds and Antonymes.  Both outsiders locked inside a dream-world of remembering, laughter and forgetting where keeping yourself to yourself perversely leads to many forms of collaboration, connection and communication.  Both in their own ways obsessed with strategically solving mysteries by never coming to a conclusion.  Both with names beginning with ‘a’, names that fuse together as elegantly as their music, their point of view, their modestly magnificent approach to glamour, and romance, and decreasing volume.  ‘A’ for affinity. ‘I’ for infinity.  Together, without losing their isolation, the lost, disappearing worlds of Anthony Reynolds, a singer, clandestine author, dreamer, fan, philosopher, ex-pop star who was never a pop star… and Antonymes, a mysterious meditative ensemble of one, of no-one, both gradual specialists in serenity, from the same place, and near enough the same time.”

Purchase it at Anthony’s Bandcamp.

Anthony Reynolds – keeping busy





Anthony Reynolds has been a busy man of late – he’s recently released the 3 track Adrift In Soho OST which seems to have sold out in days.  A lovely package it is too – an 8” lathe cut and CD package limited to just 50 copies.  VAN 314.

You can also get hold of a live 1999 Jack download here and a download to his soundtrack to Open My Eyes here.

He’s also produced an EP for Rachel Gill titled Day and Night Dreaming.

Fingers crossed for a 2017 release of Anthony’s A Painter’s Life.

Charlotte Greig – Studies In Hysteria. New album.

Studies In Hysteria






Studies in Hysteria, the first album release by Dr Freud’s Cabaret, is a set of songs in the voices of Freud’s early patients. They’re an attempt to enter the psychic world of those patients, both the famous ones – such as The Wolf Man, The Rat Man, and Dora – and the more obscure, like Rosalie, the singer who came to him for help because she had lost her voice. Freud himself also makes an appearance, with an ode to cocaine, the wonder drug he thought he had discovered. There’s also a song from Anna O, the first psychoanalytic patient, who called the treatment ‘the talking cure’.

All of the songs are based on the actual texts of Freud’s case studies, often using exact the words and phrases that he’d noted down as he listened to his patients – tales of chimney sweeps, white wolves in walnut trees, crumpled giraffes, lost pince-nez, waltzing women, caged birds, burning houses, blackened breasts, and fountains of snow. He tried to make sense of what they told him – with mixed results – but he was revolutionary in that he actually listened carefully to what they said.

The songs were mostly written by Charlotte Greig, some co-written with Anthony Reynolds. In an early stage of the project, they performed the set as a duo on stage. When it came to making the album, Charlotte invited a number of other artists, mostly based in Wales, to sing the songs: Angharad van Rijswijk (Trwbadour), Euros Childs, Jon Langford, Laura J. Martin, Julie Murphy, and Richard James. A small band was formed, with Charlotte on piano and clarinet, Guto Dafis on melodeon, Eugene Capper on violin and viola, and Julian Hayman on guitar.

A digital download or deluxe CD package can be purchased here.






Anthony Reynolds interview and live appearances


Anthony talks with John Clarkson of Pennyblackmusic – you can read the interviews here and here. Anthony also makes two appearances in Cardiff over the next few days – on Saturday April the 16th he will perform 3 songs for piano, electronics, guitars and cello at The Chapter Arts Centre, as part of the Birthday Bazaar Cabaret.

He will also be appearing on April the 18th at The Rockin’ Chair, Lower Cathedral Road, Cardiff, performing a mainly instrumental, improvised set at ‘The Unemployed Disco.’